Perugia Style Turban

Last year at Ymir (a Viking themed SCA event held in North Carolina every February) I displayed my Perugia style towel for the first time.  One of my fellow spinners was so excited about it that she commissioned me to weave her a similar turban for her Italian kit.  What with one thing and another, it took a full year to get the sucker done but I did and was able to deliver it to her at Ymir.

The basic idea was to produce something along the lines of the turban shown in The Adoration of the Magi by Gentile da Fabriano, 1423.  There are a couple of other similar paintings with simpler color work on the cloth but this one looks the most like a typical "Perugia" design to me.  As I found when weaving the original towel, the complex pickup pattern is a bit beyond my looms capabilities, especially when working with 40/2 linen at a fine set, so I opted to create a simplified pattern based on Rose Path twill.

The finished turban is 22 inches wide and about 80 inches long.  I've found that for me and other anatomically large-headed folks this works well for a nice turban wrap.  If you want to do something similar for yourself, I would suggest starting with the circumference of your head as the width and experimenting with the length you will need for the wrap style you want in purchased linen before you commit to a warp width and length.  Linen ain't cheep and everything about warping with fine linen is a huge pain.

Aside from measuring the warp, which was doubly miserable as I warped two projects at once (more on that later, I wove two head wraps on the same warp so make the best use of my time dressing the loom) the weaving was not too bad.  I need a warping mill.  6 1/2 yard lengths on a warping board suck and most of what I want to work on right now are long lengths of cloth for clothing.   I used boiled flax seed dressing, diluted and sprayed on with a spray bottle, and tried to keep the level of humidity around the loom as high as I could.  This helped with getting a clean shed and maintaining even tension, though was difficult as I did the bulk of the weaving in the dead of winter when the highest temperature we had was in the low 20s.  A humidifier might have helped.

I also started out the project with fishing line running along with my floating warp.  This made adding a bit of tension to those threads to keep them from getting lost in the selvages much easier and prevented them from abrading too much and breaking.  I still quite a few extra weights attached to the back of my loom (it looked like a Christmas tree back there) but overall it worked out very nicely.

Angel wings (brackets that hold the lease sticks in place and at a fixed width) were a HUGE help.  It was much easier to find broken ends and I was able to warp by myself with very little trouble.  Not only was I able to maintain the cross in the warp, but it helped to even out tension and spread the warp out properly behind the lease sticks.

The only major problems I still need to work out are some weird tension issues that developed when I got to the second project on the warp.  I started having a lot of breakage and tangling that I didn't run into on the turban.  I suspect I need to wind onto the back beam with help when working with linen.  Some of the problems might have been fixed had I used a warping mill.  I don't have any plans to weave linen in the near future, by the time I get around to it again I will hopefully have a mill.  

The turban came out beautifully in the end and my client was very happy with it.  I was a little sad to see it go, but I know it's gone to a good home and will be worn with pride and love.

Kira's Shawl and some leg wraps

My second Queens Shawl weaving project was to be presented to HRM Kira at Pennsic last year.  The weft was hand spun by members of the spinning guild, and I wove the finished piece in a herringbone variant using Brown Sheep's Nature Spun sport at the warp.

Overall I am very pleased with how the finished shawl turned out.  It could have been a little longer and maybe a touch wider, but that's pretty knit-picky.  There were some interesting variations in the hand spun weft skeins that I tried to spread out through the shawl to create subtle textural stripes.  I think this worked out pretty well, there are no wide runs of any one skein so the finished cloth is fairly consistent and even.  It's also quite soft and warm.  Working with the thicker yarn this time around did produce a heavier shawl but it still has a nice drape.

I love the way the white and purple combined together.  By itself the purple was really bright.  When woven together with the white. it toned down quite a bit, resulting in some nice depth of color and just enough shimmer to stand out when HRM wears it.

I also wove some leg wraps for my early period/iron age kit.  The original plan had been to do this on my warp weighted loom, however I discovered that the alpaca/wool blend I was using as warp was far to stretchy to stand up to this week.  Also the very narrow strips were difficult to stabilize on the loom so I moved the project over to my table loom.

Just for future reference, I do NOT recommend moving warp from one loom to another mid-project.  I got it to work out but it was sloppiest warping job I have ever seen.  I think I set this as something around 36 EPI, maybe a little looser, but I was working with a lace weight warp so it's fairly tight.  The west is Nature Spun fingering, which I love and gives a very nice pack at a surprising rage of sets.

The finished wraps feel amazing!  They are soft, light, warm, and the cloth has a beautiful hand.  It would make a lovely garment.  They took forever to weave, each wrap is 15 feet long, but the end result was worth the effort.  I'm looking forward to doing more cloth in fine wools, it's such a joy to work with and the results are worth the extra effort to warp up all of the threads.

So many changes!

Oz, the newest rescue.  He like to "help"
 with the handsewing.

The last year has been a wild ride, and I'm happy to say it's finally settling down.   I've moved into a new place that is mostly wonderful, I have a new little doggie, and I'm doing ok by myself for the most part.

Somehow in the midst of the chaos that was 2014 I managed to finish some projects, go to Pennsic, and two weeks ago was elevated to the Order of the Laurel at Ymir.  For those not in the SCA, this is a Big Deal.  It's the highest form of recognition an artisan can get in the Society.  I'm still kind of stunned that this happened, but it's slowly settling in and I'm getting really excited about working on my next projects without quite so much worry about documentation, display, and competing with them.  For me, it's a license to go deep into a thing without having to worry about tying it back to whatever my main art is and to explore new things.