Finished Apron

I finished my smocked apron just in time to take it to Ruby Joust last weekend.  I'm quite happy with how it turned out, and got lots of compliments on it at the event which always helps.  After wearing it all day, I'm very glad I used the shallower pleats.  The apron is made from a 36 inch square piece of fabric (maybe a little longer but not much) and pleated down to about 14 inches.  The proportions look like what is seen in the artwork, so I'm fairly confident that the originals would have been done with shallow pleats as well.  Of course this does make doing the actual smocking a little harder, but that's ok.

Sadly, I didn't get any pictures of me wering the apron, but you can still see how it turned out.  The whole thing is hand-sewn with linen thread through I did use modern poly sewing thread to do the pleating (mostly because I didn't waste my good linen on basting).  I'm looking forward to doing another one with a slightly more interesting smocking design.

More smocking

Following up on my last post, where I attempted smocking for the first time in preparation for a smocking apron a la The Lutrell Psalter, I managed to do a second swatch with shallower pleats this weekend.  This time I used a piece of cloth 10 inches long and pleated using the pick-up-the-dot method, rather than making cartridge pleats.  Both methods are described very well on the Pleatwork Embroidery website.

My dots were spaced 1/4 of an inch apart, resulting in 1/4 inch deep pleats on the first sample, and 1/8 inch deep pleats on the second.  My final bit of smocked fabric ended up being about 4 inches wide on the second sample, which means that my final apron will need to be only 36 inches wide at the hem, much better than the nearly 60 inches I would need using the cartridge pleats.  I also like the look of the smaller pleats better, even though they are a little harder to wrangle into place.  The large pleats give a more lush look to the piece, particularly in the honeycomb section, but  since I want to smock with more than just honeycomb (which is much stretchier than the other stitches), the top bit of the apron will end up a little tighter than the bottom section of smocking, an effect that will I think look well and control the fullness of the finished apron nicely without adding an absurd amount of bulk to the finished apron.  I may end up doing two aprons, in which case one will probably be plain honeycomb worked with deeper pleats.

I found that the pleats were easier to control if I ran my pleat/gathering lines closer together on the narrower pleats (no more than 1/4 inch apart), whereas I was able to do half as many lines of gathering on the deeper pleats.  I also found that by picking up the dots, I ended up with the dots on the surface of the pleats which created a nice straight line I could use as a guide for my first few lines of stitching.  This helped keep the second sample much neater looking than the first, and I had no need to draw in guide lines on the surface of the cloth.  I will need to make sure that whatever I use to mark the dots will wash out.  I used pencil on the sample, which tends not to come off the fine linen easily.  Somewhere I have some other fabric markers that should work better.

Smocking, attempt 1

Today I hosted a sewing circle for my local SCA group and used the time to work on my first ever smocking sample, in preparation for making a smocked apron similar to those seen in the Lutrell Psalter.  I've created a pin board on Pintrest to gather resources for this project, but you can see from the image to the left a long narrow apron with some kind of pleating at the top.  This particular style of apron seems to have been popular from the mid-14th century all the way through the 16th and to have eventually caught on with the wealthy.  You can see it in a number of portraits and German wood-cuts being worn by women of all social classes.

I was initially inspired to make one of these aprons after seeing the beautiful examples at Medieval Silkwork.  Isis and Machteld always do lovely work and once again managed to inspire me to try something new.  Here is my first-even attempt at smocking, done so I can figure out how much fabric I will need for the final apron.


You can see from the pictures that my first line of stitching got a bit wonky.  For some reason I had a very hard time stitching in a straight line.  I think if I chalk out some guide lines on top of my pleats I will be able to keep things looking a bit neater.  Some of the pleats themselves are not perfectly even either, which probably didn't help.  I cartridge pleated the pleats, and I think if I switch to the pick-up-the-dot method of pleating they may end up being a bit more even and easier to control (and also a little smaller, which I think will be a good thing).  I ended up pleating 29 inches of 3.5oz linen into 7 inches of smocking, which will end up making a very full apron.  I suspect I can eliminate a little fullness by making shallower pleats (I used 1/4 inch graphing paper to make a pleat template).  Since I want the apron to be fairly narrow, this will leave me with a 60 inch wide piece of fabric pleated into 14 inches.  I'll be doing another sample tonight or tomorrow with smaller pleats to see if I can  improve that pleating ratio a bit.

My only other concern with this project is the thread used for the smocking itself.  I used two strands of cotton embroidery floss on the sample, which worked well but could possibly be a little thicker.  I am assuming that silk or linen thread would have been used in period.  Linen thread will work better as it simplifies washing the finished apron (assuming I need to bleach or oxy-clean the apron, silk will not hold up), but the silk would make fuller stitches and cover better.  Finding suitable linen thread is challenging in this area to say the least.  I have some 20/2 weaving thread that might work, so I'll try that with my second sample.